printmaking

darkroom printing is a multi-step process that asks more of the printmaker than making a modern inkjet print…

  1. the negative is placed in the enlarger (similar to a projector) and the image is composed onto the easel (this holds the photo paper)

  2. a series of test exposures are made to determine which exposure settings are needed to get the best print possible

  3. each test print must be chemically developed, just like the negative that made the image to begin with

  4. the final exposure is made on the paper and the print is developed, washed, and dried

all these steps take place under a red light called a safelight to ensure the paper is only exposed by the enlarger. once the paper goes through the complete development process, it can be viewed under normal lighting.

if you are interested in prints of your work, please use the contact page to reach out.

A photographic enlarger casting light on the easel.

details for nerds…

i make my prints on ilford paper and develop with ilford chemistry. my enlarger is an omega b22 condenser enlarger fitted with an el-nikkor 50mm f2.8 lens. the enlarger lamp is driven by a beseler digital timer. i print split grade and use f-stop printing techniques to get the best looking prints possible.